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[ Jose Maria Gonzalez Cox ] [ Domingo Garcia Criado ] [ Diego Isaias Hernandez ] [ Antonio C. Ixtamer ] [ Emilio Gonzalez Morales ] [ Juan Fermin Gonzalez Morales ] [ Jose Antonio Gonzalez Escobar ] [ Lorenzo Gonzalez Chavajay ] [ Mariano Gonzalez Chavajay ] [ Matias Gonzalez Chavajay ] [ Mario Gonzalez Chavajay ] [ Pedro Rafael Gonzalez Chavajay ] [ Samuel Cumes ] [ Vicenta Puzul ] [ Rafael González y Gonzalez ] [ Juan Sisay ] [ Miguel Sunu ]
LINKS
TO SECTION PAGES |
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For
data
on any
painting
click
the row
hyperlink
to its
left |
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Like most of his fellow
Tz'utuhil Maya artists, Samuel Cumes is self taught. In a radical
departure from the painting style of his town, Samuel Cumes first used
painting to explore his feelings. Like many Guatemalans he had been
psychologically affected by the period of violence in the 1980s. From
there he began exploring his perspective on the political situation of
the Americas. He is harsh both on the United States and Guatemala. No
subject is taboo for Samuel, he deals with sexuality, genocide,
immigration, and poverty. From these paintings you might think that
Samuel hates the United States, but that is not true. He loves the
people of the United States, but has trouble with many of our policies.
For people who have known him for a long time these paintings seem to
come from another person. Samuel is always friendly, and joking. He
began painting in oil on paper, but has found pastels more suitable to
his particular style. |
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Row 1
Back up to row 1
| 1a. |
Samuel Cumes Pop: Untitled.. cat.
SAM-016 |
| 1b. |
Samuel Cumes Pop: Indigena
(Indigenous), 1996. cat.
SAM-023 |
| 1c. |
Samuel Cumes Pop: Lo Armonía
(Harmony), 2005. cat.
SAM-019 |
| 1d. |
Samuel Cumes Pop: Untitled. cat.
SAM-003 |
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Row 2
Back up to row 2
| 2a. |
Samuel Cumes Pop: Las Huellas del
Imperialismo Yanki
(The Footprints of Yankee Imperialism), 2005. cat.
SAM-010 |
| 2b. |
Samuel Cumes Pop: Untitled.. cat.
SAM-024 |
| 2c. |
Samuel Cumes Pop: Las Americas Violadas
pero no Vencidas
(The Americas, Violated but not Defeated), 2005. cat.
SAM-008 |
| 2d. |
Samuel Cumes Pop: El Jinete del Terror
(The Horseman of Terror), 2005. cat.
SAM-001 |
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Row 3
Back up to row 3
| 3a. |
Samuel Cumes Pop: Relación
(Relation), 1995. cat.
SAM-022 |
| 3b. |
Samuel Cumes Pop: Frustación del
Imigrante
(Frustration of the Immigrant), 2006. cat.
SAM-020 |
| 3c. |
Samuel Cumes Pop: Movimiento
Revolucionario para la Liberación de Latinoamerica
(Revolutionary Moverment for the Liberation of Latin America),
2005. cat.
SAM-015 |
| 3d. |
Samuel Cumes Pop: Untitled. cat.
SAM-018 |
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Row 4
Back up to row 4
| 4a. |
Samuel Cumes Pop: Tomando lo
Nuestro
(Mother Nature), 2005. cat.
SAM-009 |
| 4b. |
Samuel Cumes Pop: Las
Heridas Abiertas de Guatemala
(The Open Wounds of Guatemala), 2004. cat.
SAM-013 |
| 4c. |
Samuel Cumes Pop: Tratado de
Libre Comercio
(Free Trade Agreement), 2005. cat.
SAM-001 |
| 4d. |
Samuel Cumes Pop: Untitled. cat.
SAM-011 |
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Row 5
Back up to row 5
| 5a. |
Samuel Cumes Pop: Derramando Sangre por
Petrolio
(Spilling Blood for Petrolium), 2004. cat.
SAM-026 |
| 5b. |
Samuel Cumes Pop: Untitled. cat.
SAM-005 |
| 5c. |
Samuel Cumes Pop: La Madre Naturaleza
(Mother Nature), 1996. cat.
SAM-003 |
| 5d. |
Samuel Cumes Pop: El Mapa
(The Map), 2001. cat.
SAM-007 |
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LINKS
TO SECTION PAGES
[ Jose Maria Gonzalez Cox ] [ Domingo Garcia Criado ] [ Diego Isaias Hernandez ] [ Antonio C. Ixtamer ] [ Emilio Gonzalez Morales ] [ Juan Fermin Gonzalez Morales ] [ Jose Antonio Gonzalez Escobar ] [ Lorenzo Gonzalez Chavajay ] [ Mariano Gonzalez Chavajay ] [ Matias Gonzalez Chavajay ] [ Mario Gonzalez Chavajay ] [ Pedro Rafael Gonzalez Chavajay ] [ Samuel Cumes ] [ Vicenta Puzul ] [ Rafael González y Gonzalez ] [ Juan Sisay ] [ Miguel Sunu ]
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To contact us write: Arte Maya Tz'utuhil, P.O. Box 40391, San
Francisco, CA 94140. If you need to talk to me directly, email me with your
telephone number and I will return the call. I am currently moving my office.
Email me at .

All paintings and photographs Copyright © 1994–2007 Arte Maya Tz'utuhil
Todas pinturas y fotografías son Derechos Reservados © 1994–2007 Arte Maya Tz'utuhil
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